{"id":2304,"date":"2025-05-14T09:26:54","date_gmt":"2025-05-14T13:26:54","guid":{"rendered":"https:\/\/sdusmp.org\/conference2025\/?page_id=2304"},"modified":"2025-06-05T23:32:28","modified_gmt":"2025-06-06T03:32:28","slug":"elementor-2304","status":"publish","type":"page","link":"https:\/\/sdusmp.org\/conference2025\/elementor-2304\/","title":{"rendered":"Literary Award Winners"},"content":{"rendered":"\t\t
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Phillis Wheatley Literary Award\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Winners<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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WINNER<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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DESCRIPTION<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dominican Crossroads: H. C. C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Christina Cecelia Davidson<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In\u00a0Dominican Crossroads<\/i>, Christina Cecelia Davidson explores Astwood\u2019s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men\u2019s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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“Payne-ful” Business: Charleston’s Journey to Truth
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Margaret Seidler<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Payne-ful” Business: Charleston’s Journey to Truth follows Margaret Seidler’s mission to learn and process her family’s genealogical past. Using extensive research and personal experience, Seidler discusses the realities of Charleston’s racial history while highlighting the historians, journalists, and community members who work to reconcile those truths. The book features authentic, historic slave advertisements brought to life by vivid paintings by artist John W. Jones that uncover the humanity hidden beneath the detached advertisement descriptions. Seidler hopes that acknowledging a more complete truth about our past will motivate us to bridge today’s racial divide.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Not Yet Completely Free: Gradual Emancipation and the Family of Moses Williams, Philadelphia 1776-1833
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Ellen Fernandez Sacco, Ph.D.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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This <\/span>paper <\/span>explores <\/span>the <\/span>life <\/span>and <\/span>legacy <\/span>of <\/span>Moses <\/span>Williams, <\/span>born <\/span>into <\/span>slavery <\/span>in <\/span>1776 <\/span>and <\/span>later <\/span>freed, <\/span>who <\/span>became <\/span>the <\/span>first <\/span>Black <\/span>museum <\/span>professional <\/span>at <\/span>Peale\u2019s <\/span>Museum <\/span>in <\/span>Philadelphia. <\/span>It <\/span>traces <\/span>his <\/span>overlooked <\/span>contributions <\/span>as <\/span>an <\/span>artist <\/span>and <\/span>silhouette <\/span>cutter, <\/span>his <\/span>role <\/span>in <\/span>early <\/span>American <\/span>museum <\/span>history, <\/span>and <\/span>the <\/span>shifting <\/span>scholarly <\/span>recognition <\/span>of <\/span>his <\/span>significance. <\/span>The <\/span>paper <\/span>also <\/span>reflects <\/span>on <\/span>the <\/span>broader <\/span>movement <\/span>to <\/span>center <\/span>Black <\/span>voices <\/span>in <\/span>museum <\/span>narratives, <\/span>highlighting <\/span>recent <\/span>efforts <\/span>to <\/span>commemorate <\/span>Williams <\/span>through <\/span>exhibitions, <\/span>scholarship, <\/span>and <\/span>public <\/span>history <\/span>initiatives.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Wick Garrett’s Darkest Day: 6 September 1919<\/i><\/i><\/p>

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LaBrenda Garrett Nelson<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The article focuses on the violent racial climate of the 1919 “Red Summer,” highlighting a specific instance of racial violence in Laurens County, South Carolina. Topics include the widespread racial unrest across the U.S. during 1919, the history of racial violence in Laurens, and the impact of events like the Red Summer on the community’s legacy of racial terrorism.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Traveling without Moving: Essays from a Black Woman Trying to Survive in America<\/i><\/p>

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Taiyon J. Coleman<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In <\/span>Traveling <\/span>without <\/span>Moving<\/span><\/em>, <\/span>Taiyon <\/span>J. <\/span>Coleman <\/span>weaves <\/span>personal <\/span>narrative <\/span>with <\/span>cultural <\/span>critique, <\/span>reflecting <\/span>on <\/span>race, <\/span>motherhood, <\/span>and <\/span>survival <\/span>as <\/span>a <\/span>Black <\/span>woman <\/span>in <\/span>America. <\/span>From <\/span>her <\/span>Chicago <\/span>childhood <\/span>to <\/span>navigating <\/span>racism <\/span>in <\/span>academia <\/span>and <\/span>housing, <\/span>Coleman\u2019s <\/span>essays <\/span>confront <\/span>the <\/span>contradictions <\/span>between <\/span>American <\/span>ideals <\/span>and <\/span>Black <\/span>lived <\/span>experience. <\/span>Her <\/span>work <\/span>is <\/span>both <\/span>a <\/span>testimony <\/span>and <\/span>a <\/span>pursuit <\/span>of <\/span>freedom\u2014<\/span>writing <\/span>as <\/span>resistance, <\/span>truth-<\/span>telling, <\/span>and <\/span>reclamation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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American Dark Age: Racial Feudalism and the Rise of Black Liberalism
<\/i><\/p>

\u00a0<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Keidrick Roy<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In <\/span>American <\/span>Dark <\/span>Age<\/span><\/em>, <\/span>Keidrick <\/span>Roy <\/span>uncovers <\/span>how <\/span>19th-<\/span>century <\/span>Black <\/span>abolitionists <\/span>challenged <\/span>the <\/span>racial \u201c<\/span>feudalism\u201d <\/span>embedded <\/span>in <\/span>American <\/span>society. <\/span>Figures <\/span>like <\/span>Harriet <\/span>Jacobs <\/span>and <\/span>Frances <\/span>Ellen <\/span>Watkins <\/span>Harper <\/span>exposed <\/span>the <\/span>nation\u2019s <\/span>medieval <\/span>social <\/span>order <\/span>and <\/span>reimagined <\/span>its <\/span>liberal <\/span>ideals <\/span>through <\/span>spiritual, <\/span>Enlightenment, <\/span>and <\/span>grassroots <\/span>political <\/span>thought. <\/span>Roy <\/span>highlights <\/span>their <\/span>enduring <\/span>fight <\/span>for <\/span>liberty <\/span>and <\/span>equality\u2014<\/span>offering <\/span>urgent <\/span>lessons <\/span>as <\/span>modern <\/span>extremists <\/span>invoke <\/span>similar <\/span>medieval <\/span>fantasies <\/span>to <\/span>justify <\/span>racial <\/span>hierarchy <\/span>today.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Untold Story of Bridget Mason: A Freedwoman Becomes an Entrepreneur<\/i><\/i><\/p>

\u00a0<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Artika Tyner<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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You may have heard about Dred Scott\u2019s case to gain his freedom from enslavement. But just a year before the Supreme Court decision in Scott\u2019s case, Bridget \u201cBiddy\u201d Mason won her freedom in a California court\u2014and then went on to become the wealthiest Black woman in Los Angeles. With key biographical information and related historical events, this Capstone Captivate book uncovers Mason\u2019s story of attaining her freedom, becoming an entrepreneur, and serving her community. Dive into the First but Forgotten series to read rarely told stories from history.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Untold Story of John P. Parker: The Underground Railroad Conductor<\/i><\/p>

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Dr. Artika Tyner<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“Providing key biographical information and related historical events, this book presents the remarkable story of John P. Parker, an Underground Railroad conductor who helped enslaved people cross the Ohio River to freedom. Simultaneous. Illustrations. “<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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All We Were Promised<\/i><\/p>

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Ashton Lattimore<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Winner of the Black Caucus of the American Library Association\u2019s First Novelist Award and a Book of the Month Club Pick, The House of Eve<\/i> is hailed by People<\/i> as \u201ca gripping novel about standing up to impossible odds\u201d and named one of the best books of the year by The Washington Post<\/i>, NPR, and She Reads<\/i>.<\/b><\/p>

Set in volatile 1837 Philadelphia, this powerful debut follows Charlotte, a formerly enslaved woman forced to hide her identity while living with her white-passing father. When she befriends Nell, a wealthy Black abolitionist, the two women join forces to help Charlotte\u2019s friend Evie escape bondage\u2014risking everything amid rising race riots and violent opposition. A moving story of friendship, freedom, and resistance, The House of Eve<\/i> is \u201ca beguiling story of friendship, deception, and women crossing boundaries in the name of freedom\u201d (Lisa Wingate, #1 New York Times<\/i> bestselling author).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Forgotten Patriots: The American Revolution Northern Theate<\/span><\/i>r<\/span><\/p>

\u00a0<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ric Murphy<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Phillis Wheatley Literary Award\u00a0 Winners WINNER DESCRIPTION Click here Dominican Crossroads: H. C. C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation Christina Cecelia Davidson In\u00a0Dominican […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","passster_activate_protection":false,"passster_protect_child_pages":"","passster_protection_type":"password","passster_password":"","passster_activate_overwrite_defaults":"","passster_headline":"","passster_instruction":"","passster_placeholder":"","passster_button":"","passster_id":"","passster_activate_misc_settings":"","passster_redirect_url":"","passster_hide":"no","passster_area_shortcode":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-2304","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"forcedam","author_link":"https:\/\/sdusmp.org\/conference2025\/author\/forcedam\/"},"uagb_comment_info":0,"uagb_excerpt":"Phillis Wheatley Literary Award\u00a0 Winners WINNER DESCRIPTION Click here Dominican Crossroads: H. C. C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation Christina Cecelia Davidson In\u00a0Dominican […]","ticketed":false,"_links":{"self":[{"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/pages\/2304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/comments?post=2304"}],"version-history":[{"count":20,"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/pages\/2304\/revisions"}],"predecessor-version":[{"id":2959,"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/pages\/2304\/revisions\/2959"}],"wp:attachment":[{"href":"https:\/\/sdusmp.org\/conference2025\/wp-json\/wp\/v2\/media?parent=2304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}